Now, the workaround would be to have Final Cut Pro convert that from 25FPS to 30FPS. Except, then I’ll forget to change it back later, go back to the DCR Cave, shoot something, and have to throw away all my footage.

Obviously, outside, that’s not an issue, and in this case, I could have set it for 30FPS for the a-cam (non-GoPro). So I don’t do that, then I’ll get flickering in some scenarios. Generally speaking, my A-roll (the part where you see me talking) is shot in 25fps, because in Europe, my lights are set to that. The video has YouTube chapters in it to easily navigate around, though, you can hit any of the quick-links to send you right to the applicable section. But till that gets finished, you can hit play above, which is packed full of comparison footage (even to the new DJI Action 3 camera, also released today). I’ve got my full in-depth review on YouTube already up, with my written review not far behind. As always, there’s a slate of new features including a wider digital lens option, faster frame rates for certain resolutions, a bigger sensor, and plenty more practical features like (optionally) automatically clearing off the SD card once it finishes uploading to the GoPro Cloud. First, is the GoPro Hero 11 Black, which continues the same form factor as the existing Hero 10. Today GoPro announces not one, but two new action cameras.

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